[ Surviving In The '70s ]
He's in his 30s. He's determined to set his mind free. It's a Free Mind sort of a time. He opts for alternate living. He grows a beard. He goes exploring. He discovers wine and music and scabbing and a better way of writing. For the best part of the decade his creative head goes berko but takes the rest of him with it. His pen and his life flies out of control. Some days the stuff bounces off the walls like free-range lightning and some days it goes underground and some days it just lolls about and maudles so there’s no way of sub-categorising it. It is what it is. It's a strange old time. He probably doesn't have any right to survive it but he will.
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>>>
SOMETHING
DAWNING IN A YOUNG MAN’S MIND
here
I now stand
a
being
having
existed
for
a few revolutions of an insignificant planet
around
a smallish-sized star
in
the outer edges of an average galaxy
among
an unknown multitude of galaxies
in
an inconceivably infinite Universe
at
a point in Time somewhere between
No
Beginning and No Ending
part
of an unstoppable chain of circumstances
I
had no part in designing
of
a life-form I did not choose
in
a species that will last
for
an eyelid's flicker
comprised
of matter and energy
that
was never created
and
will never be destroyed
only transferred
and transformed
and rearranged
here
I now stand
knowing
that a molecule
in
my left index fingernail
was
once part of Mary Magdalene's sandal
an
atom in the lower right cortex of my brain
was
once in the excrement
of
a pterodactyl
one
of the electrical impulses
that
helped write this line
was
part of the grunt from a slimy green being
on
an obscure planet near Andromeda
a
zillion years ago
here
I now stand
and
foresee that part of the grey tip
of
the hair I just scratched out of my beard
will
one day fire the cataclysmic inferno
of
our Sun's ending
for
a very brief moment
as
it goes ... POOF!
with
none of us to witness
the
inglorious departure
of
such an old friend
T.R.E.
(1972)
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SEA BIRD
a
gull
wild
on the wind
wheeling
out beyond the grasp of land
immune
to gravity
and
the things of earthbound men
a
spirit
free
to be a bird
drifting
on those gusty whims of nature
white
as a virgin
and
perfect in its darwin harmony
T.R.E.
(1972)
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ART
the
elusive old and brooding craft
ever
striving to capture
a
deep and fleeting sense of moment
to
bridge the gap between two minds
yet
not always evoking in the viewer
the
image of the artist's grasping
but, enough
that art touch something
stimulate
some otherwise sleeping corner
cause
change in passing
open
a clear and wider eye
on
this very personal mystery
that
is existence
T.R.E.
(1972)
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REALISATION
The
child I was
Was
programmed from birth
To
believe as my parents believed
But
the man that I am
And
the mind that I am
Wants
thoughts only It has conceived
The
God I was given
Of
fear and revenge
Has
now died in a spreading Light
Of
unshackled thought
And
a true realisation
Of
universal right
Now
I wander at will
In
the corridors of my mind
And
dare to open each door
To
accept what I see
And
face what I am
Be
it animal? – or man? – or more?
Will
I find God?
Will
I find truth?
Or
just a passing life-form from the sea
With
a compulsive desire
To
justify its own awareness
With
a myth of divinity?
T.R.E.
(1972)
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IN
TRANSIT
There
must be space in our lives
for
the privacy of our very own
secret
thoughts
tucked
away
where
only the most trusted of friends
can
run their fingers over
their sheer and delicate fabric
Yet
even
that sacred place
is
partitioned into zones of selected entry
and
rarely in a lifetime
do
we discover even one soul
so
kindred as to be extended an invitation
to all those rooms of quiet treasure
And
there is so much carefulness
and
so much fearfulness
in
the business of checking the passports
of
the travellers waiting at the gate
So
few get by
Still
why
should they?
So
many so loud
so
pushing and shoving
all
ugly and noisy and big dirty boots
giggles
and gawks and snides aside
PR
men and cold hollow heroes
all
grabbing and stabbing
and
business suits and cutout characters
snipped
from a book
frilly
and frothy and cameras at the ready
stuff
you and mount you
on
their trophy room wall
they’d
root you and shoot you
and
they’d laugh when you cried
and
they’d never think twice
of the richness inside
Strange
it’s
the people we come to love
that
give us the most unease
for
the Uglies of the world get easier to pick
the
wiser we become
and
even the simple Empties
who
want nothing of us either way
can
be put aside with courtesy and respect
while
the truly good and deep people
(who
just aren’t going our way for the moment)
decorate
our time
for a short part of their own journey
It
truly is
those
uncertain few
who
we feel compelled to love
that
cause us to hesitate
in
our endless search
for
at least one other we can trust
with the keys to our ancient kingdom
But
the time it takes
to
be sure
is
more than the time we have
and
so we gamble
yearn
to be winners
learn
to be losers
take
the pain inflicted on us
not
entirely of our own making
simply
because we love to live
and
take a risk or two
with
the few who touch us
as
only those few
can make us whole
And
some will endow us
with
the dreams of the child
take
us to places we forgot to hold dear
restore
all the pleasures
that
slipped from our fingers
paint
all the pictures that once were so clear
capture
the spirit of the reason for living
fill
us with memories
of
the past times we’ve known
write
all the stories
that
are ripe for the telling
find
there is wisdom
in
the sorrow we have sown
And
as
always
be
content with the thought
that
nothing is ever finished
but simply in transit...
T.R.E.
(1972)
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RUSHING
you
can’t rush a lifetime
it
has to be taken at a lifetime’s pace
be
as impatient with it as you like
(you
scratchy clutch of God’s hapless people)
it’s
still going to damn-well keep its own velocity
as
it plugs on through the mess of matters
that make up existences of varying lengths
trust
me, it’s all part of The Design
T.R.E.
(1973)
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SMALL
TREASURES
it's
simply that it's not enough
to
know all people from the outside
if
this lifetime is to be of its fullest value
we
need to touch the inner places
of
at least a few of our fellow travellers
not
just shake hands or kiss the social cheek
but
get inside the nature of the beast
to
share our private-most thoughts
on
what we have separately found along the way
these
intimate moments are tragically rare
when
two people exchange with trust and affection
their
small treasures from the well of wisdom
we
have each trod this same familiar road
and
have seen the same things but each in our own way
your
experience of it has been different than mine
and
I need to understand what you understand
as
if somehow two lives can be lived
for
the price of one
yet
how afraid we seem to be
to
entrust our fellows with pieces of our Self
fearful
that they may steal them away
or
worse still
diminish
them with judgements
and
not treat them as treasures at all
hand
them back with a shrug and a so what laugh
and
leave us just a little more naked than before
maybe
only on the other side
do
we get to compare notes
with
love and kindness and compassion
and
here we only gather them alone
I
think I need to find
that
this is not one of the Truths
T.R.E.
(1973)
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A
TRIBUTE TO BURGUNDY
fellow
souls in this limbo of creation
that
is at my elbow and in my mind...
today
is monday the fifteenth day of january
in
the year nineteen hundred and seventy three
here
on a minor planet Earth
it’s
a day that each of you
have
experienced for yourselves in some way
each have lived and felt and stored away
in
the places of your soul
to
become eternally that which each of us
will ultimately
and only comprise
one of those days that imposes itself on you
pushing back all thoughts that are not of
peace
and harmony
there
are cottonwool clouds in a space-blue sky
there
is daylight for as far as can be seen
there
are magpies in trees and leaves on vines
and a
warm sun and a cool breeze
and people who at last seem to be part of it all
and people who at last seem to be part of it all
it's
one of those days made to be captured
and wholly consumed as food and drink
surely designed to make us aware that meaning
is ever around us
and wholly consumed as food and drink
surely designed to make us aware that meaning
is ever around us
should
we find the eyes to see
it's
a day to be used for making love with tenderness
and infinite pleasure
in a place where the warmth
and infinite pleasure
in a place where the warmth
goes
straight to the skin
it's
a day for letting life touch you to the core
and
enhance your personality
it's
a day to reach out
and pass thru the bounds of the physical
to the universe of all consciousness
and pass thru the bounds of the physical
to the universe of all consciousness
and
to take a step towards the destiny of all creation
I
have felt days such as this back to the limits of memory
I came to this time and place with the
recollection of these days
for I have known days like this over all of eternity
and I respond to each new one as if it were the first
for I have known days like this over all of eternity
and I respond to each new one as if it were the first
as I
am a universal creature
it
takes a day like today to make me know my connection
with the space around me
and to empower me with the gift of conversation
with the spirits of all things
with the space around me
and to empower me with the gift of conversation
with the spirits of all things
I
am in a sea of souls
they inhabit the grass and move the leaves
and look out at me from the eyes of all creatures
they inhabit the grass and move the leaves
and look out at me from the eyes of all creatures
they
spin the webs of my awareness
and kindle my passions for living
and my appetite for knowing
and kindle my passions for living
and my appetite for knowing
they
conduct the symphony of understanding
and
cause the soil to give up treasures
today
earth and sky and spirituality are one
T.R.E.
(1973)
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AGITATED
Why
do I get so agitated?
so
simmering bloody angry?
I
write all this compulsive shit and some days
all
it does is make it worse.
Some
things just don’t pour out onto paper,
it’s
often such a sterile medium.
I
want something back!
Geez,
sounds like Dylan Thomas and Paul Gauguin
complaining
about the bills
(while
they turned out brilliance
nobody
cared a stuff about at the time)
Why
does it all have to be so ... lonely?
Maybe
I’m just pissed off at myself
for
thinking it should all
somehow
have some reason to it.
People
pay me handsomely to write
stuffy
numbers and boring letters
endlessly
endlessly endlessly,
till
sometimes I think I’ll break in two,
and
one bit’ll go on grinding data
and
go on making the same million widgets
and
the other bit will fly away
to
that somewhere someplace
that’s
of our youth’s dreams,
where
I can stretch out
and feel someone else
and feel someone else
who
feels the same.
I
bet I tear this up.
T.R.E.
(1973)
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CLICK
Knew
a bookkeeper once
doodled
in the margins
of
the company accounts
wrote
great odious odes like
“all the figures dressed in grey
debit credit who’s to pay,
ask the figures dressed in black,
don’t ask me – I’m alright Jack”
Ah,
Narcissus was an amateur
He
discovered a lower form of life once
on
an atoll between Easter Island and Haiti
it
spent its days killing time
and
eating lifesavers
and
he observed it for three days
and
all it did was watch him watching it
some
creatures have pointless existences
There
ought to be a law against killing time
But
how do you kill something
that
only exists in your mind?
Kill
your Mind!
Click!!
T.R.E.
(1973)
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CREATIVITY
Creativity
resides in the same part of the Self as insanity
and
to be truly creative requires that we visit this place
and
come back without being permanently affected by it
as
to create with great imagination
demands
that the rational and the real
be
subjugated for a time
to
the free-flying will
of
the irrational and the surreal.
It’s
a time and a place of taking chances
to
let go and be carried by the energy of the Child spirit
that
lies in each of us
the
wild and wilful Child
with
its endless capacity to indulge itself
to
give everything it has
and
to take into itself every gratification it can find.
From
the unleashing of this free spirit
comes
the images of all consciousness
all
time
all
space
all
lives
all
feelings
all
passions
all
ideas ever conceived or yet to be conceived
as
the Child is the fountain-head of all imagination
and
too often creativity is a compromise
a
compromise demanded by the sane image of our selves
fearful
of giving up its sovereignty
lest
this Child not give it back.
T.R.E.
(1973)
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EULOGY
FOR HENK
A
young girl
Pretty
in her own way
Cried
when they let you down
Somehow
that spoke more
Than
all the droning words
That
nobody heard
Can
a young man’s life
Be
condensed
To
born, baptised, confirmed, rest in peace?
Why
did it all seem
Such
a commercial for Christianity
And
not for living well?
Please,
my own dear friends
If
you are there when I’m lowered down
Don’t
let me go that way
Will
some of you take the pulpit
And
say – “he lived well, he lived fully,
he died ready to go around again”
And
laugh!
No
damn long faces for me
For
God’s sake and mine
Be
happy for me!
Make
some music
Drink
some wine
Let
living go on
Know
how much I lived
And
only tears of love
For
a dear friend
Who
will be absent for a while
T.R.E.
(1973)
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THE
OTHER MARY
somehow
I feel sadder for Mary Magdalene than Jesus
I
think he found what he needed of life
but
what of her?
what
emotions - what needs?
what
became of her?
what
memories warmed her latter days?
to
do her justice
shouldn't
the gospel according to Mary
have
been included?
T.R.E.
(1974)
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WRITING
writing
makes part of me clearer, to myself
causes
something to grow that would otherwise
just
wait, and wait,
wait
impatient, and moody too
trying
to escape solitary confinement
and
what I write is ever mine to me
and
anyone else who'll treat it with respect
not
judge it, nor analyse it
but
gain what they can
then
turn the page
all
of this is a very personal collection
random
thoughts from a fragile place
where
thoughts are dreams
and
dreams reality
and
reality an illusion
and
the truth is
it’s
in all of us
but
you can't live there
only
visit
when
you need to
I
hope some of this
helps
to show you the way
T.R.E.
(1974)
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THE
PUZZLE
Seemingly
always searching
Looking
for the piece
To
make us whole
To
complete this puzzle
That
is our Self
Is
it really to be found
In
someone else?
Or
do we arrive with all of the parts we need
And
it’s only a matter
Of
arranging them in the new order
That
is right for us
This
time around?
T.R.E.
(1974)
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IT’S
THAT TIME AGAIN
Spring!
rising
up winter limbs
it
makes me swell
fit
to burst with words
Ah,
it's optimism time again
enough
glooming around in corners
let’s
get out and give the world
some
honest trouble
make
a lot of greens and yellows
to
colour over the grip of grey
cabbage
leaves and sunshine
and
cold white wine
tracing
inspiration down the glass
drive
the neighbours crazy
with
singed steak smells
and
gobs of onions
broadsides
of noisy friends
looking
for their summer belly laugh
This
is not a day to waste
ruminating
on last year’s losses
give
the sap its head
‘cause
in no time at all my friend
you’ll
be back to pruning
and
mumbling to yourself
T.R.E.
(1974)
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EVER
HAVE A DAY?
did
you ever have a day
when
wandering thoughts were given
the
right to wander?
follow
them and note their journey
some
adventures worth knowing may just begin
I
knew a sorcerer once
travelled
the boundless limits of my mind
(played
a little bluegrass banjo on the side)
his
orbit brought him by my part of the heavens
every
millennium or so
and
he always had a good story or two
told
me about a man on Cypher 27
who
begged him to cut out part of his brain
so
he could be like the rest
but
he cut off his head instead
said
the coward deserved to die
sorcerers
are funny that way
I
don’t tell him MY troubles
T.R.E.
(1974)
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THE
WOODCUTTER
She
had the strangest dream
Walking
in a sundappled wood
gathering
wildflowers
and
touching the spirits of old trees
with
feelings of mellowness
and
of joyful huggings to herself
a
good to be alive kind of a day
full
of private promises too long in coming
In
a bright thistledown clearing
a
woodcutter came by
and
he eased his load of axe and timber
watching
her youth and her beauty
with
a soft and caring eye
She
stopped as if to talk a while
but
at some uncertain distance
greeting
him with half a smile
and
a waiting air
The
woodcutter began to walk around her
and
somehow - without surprise -
turned
into a tiger
and
began stalking
a
steady circle around her day
Once
twice three times
never
closer than her own desire
yet
neither moving away
and
she trembled inside her young girl soul
wanting
to touch the rippling beast
lay
beside it in the summer grass
take
in the power of its ways
Then
the tiger stopped
to
face her
and
smiled
a
quiet knowing smile
and
turned back into the woodcutter
heaved
up his labour’s burden
and
made as if to leave her life
“There
is magic everywhere”, was all he said
then
he walked away.
T.R.E.
(1975)
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I THINK I’VE GOT SPRING FEVER
some
days I think I'll bloody burst
trying
to hold in everything
stuff
screaming to be let out
the
exuberance in here is positively manic
one
day I'll swell up
and
my eyes will bug out
and
pink steam will come out my ears
and
I'll go BOOM SPLOOSH WHIZ
WHAPP
SPLAT all over the walls
and
there will be bits of me on display
like
a random gallery
by
Dali and Picasso
and
everyone will walk by
trying
to decide if they like it or not...
“I wonder if it’s up the right way?”
“Love the frame, hate the picture”
“Lots of energy, not much talent?”
“Has a sort of evocative air, the signature
that is”
“Love this landscape”
“That’s a portrait of his father”
“I wonder if it’s up the right way?”
“I can really relate to this mess”
“Probably his breakfast”
"Oh my god, what are those two people
doing!”
“Should be a law against such filth”
"It’s only a man and a woman looking at
each other”
“Yes, but look what he's thinking”
“I wonder what she's thinking”
“Hard to tell”
“Lots of empty spaces - what do they mean?”
“They're titled Remaining
Possibilities"
“Lot of self-centered self-indulgent crap if
you ask me”
“Well - I like it”
“Yeah, but who are you?”
“I’m what’s left of the person on the wall”
T.R.E.
(1975)
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A MONDAY MORNING
I
woke up brand new this morning
with a diamond clear eye and a realisation
that somehow the Sorcerer had re-made the world for me overnight
with a diamond clear eye and a realisation
that somehow the Sorcerer had re-made the world for me overnight
I
saw a creek running with the tailings of Spring
the surface wrinkled with the eddies
of its timelessness coming and going
and I imagined I saw an old man
the surface wrinkled with the eddies
of its timelessness coming and going
and I imagined I saw an old man
stooping
over a swishing dish
panning out the days of his life
with the glint of gold in his watery eyes
panning out the days of his life
with the glint of gold in his watery eyes
I
saw a white goat with a green mouth
content to be chained to his iron wheel
and I swear he winked at my thoughts
and asked whose chain was heaviest
content to be chained to his iron wheel
and I swear he winked at my thoughts
and asked whose chain was heaviest
I
saw a friend's house
and she was probably still in bed
and he was already out slaying his own dragon
and she was probably still in bed
and he was already out slaying his own dragon
I
saw a skyscape of cloud that was all marshmallow
with
scudding bottoms and a background of blue
so
intent on arranging themselves
they didn't see me watching
they didn't see me watching
I
saw a rhinoceros with red sides and aluminium armoured
back
that lumbered and grumbled and breathed smoke out of its horn
a truck with a breakfast of scrambled mountain
for the machines that are slowly eating the world
that lumbered and grumbled and breathed smoke out of its horn
a truck with a breakfast of scrambled mountain
for the machines that are slowly eating the world
I
saw a schoolboy with reluctant pedals and wild
hair
who could have been Ginger Meggs
or Dylan Thomas
or Ned Kelly
or Orville Wright
who could have been Ginger Meggs
or Dylan Thomas
or Ned Kelly
or Orville Wright
or
me
I
saw that my glory vines were in leaf
and were climbing straight up their posts like trained snakes
content to be glory vines
and were climbing straight up their posts like trained snakes
content to be glory vines
and
to play out their part in the Order of Things
I
think they were trying to tell me something
T.R.E.
(1975)
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>>>
THE
DAY I WAS BORN
the
day I was born
I
dreamed me a dream
'bout
a boy who knew worlds
and
space in between
couldn't
be seen
struggled
to capture
passing
machines
Da
Vinci was brother
taught
him to fly
the
Icarus sky
blacksmith
and poet
shared
a twin mind
from
some other time
disturbed
by questions
that
have no answers
restless
creations
seasons
rotations
till
universe stops
and
rhythms cease
what
then
you
inward gazer
what
then
you
brown-eyed dreamer
of
a deeper peace
T.R.E.
(1976)
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VOICE
OF THE MIDNIGHT WATCH
there
is a mystery in existence
calling
softly from the sea
carried
on the sounds of the midnight watch
in
my holds of memory
listen, listen, searching sailor
follow my siren sound
here I am at the masthead light
with the answers you've never found
have
I heard you in the heron's cry
when
I was lost at the edge of the deep
far
from the gods and the things of man
in
the sargasso's soul-less sleep?
did
I see you in the beacon's flash
when
I was hungry for rest from my fears
where
a few safe hours at your cottage fire
must
warm my running years?
touch me, touch me, lonely sailor
make a mark on my gossamer skin
reach out from your uncertain barque
to where time and tides begin
have
I sensed you in the lull of battle
when
my ship has stunk of greed
in
the futility of our golden lusts
and
the red of our endless need?
have
I felt you when the moon was young
and
our smugglers oars would reach
for
the shale as sharp as the waiting dark
and
the promise of death on the beach?
love me, love me, restless sailor
come visit the home of the pearl
and taste the salt of your callow youth
in the bed of a green-eyed girl
the
midnight watch has seductive ways
that
takes me away from the wheel
but
tonight I'll climb to the top of the mast
and
embrace the presence I feel
T.R.E.
(1976)
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>>>
SOMETIMES
sometimes
you wonder
has
god put last week's page
last
month's page last year's page
into
his divine photocopier
and
dialled in a number
that
is his own private joke?
T.R.E.
(1976)
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>>>
THREE DRINKS
AND
STILL NO
INSPIRATION
we
are here to touch
and
be touched
profoundly
by
this experience
to
be effected
and
changed by it
and
to cause change
in
our passing
I
cut down a tree once
which
only put things backwards
and
somewhere there's a blacksmith
striking
steadily
who
feels the same as I do
the
image has already faded
back
to counting horseshoes
T.R.E.
(1976)
<<<
>>>
JENNY
BROWN
jenny
brown
pulled
the plug on her own half-life
the
only truly personal thing
on
the six o'clock news
why
does one pretty young mum
her
kids stolen away
hooked
to a machine
that
did most of her living for her
cut
me ten times deeper
than
four thousand mexicans
or
a million ethiopians?
sometimes
nothing adds up
but
everything takes away
I
hope I meet you
jenny
brown
T.R.E.
(1976)
<<<
>>>
JUNG'S CIRCLE
my
Shadow is a bikie
the
Woman in me is you
one
at each shoulder
ever
slightly out of view
the
four of us are separate
and
all of us are one
together
make the Wise Old Man
I'm
destined to become
the
archetype Hero a collage
bits
of Dad and Vern
a
spitfire pilot and a blacksmith
Leonardo
and Jules Verne
Henry
Miller in the shadows
Nyoka
to the side
a
thrust of Boadicea
the
week the Romans died
and
somewhere there's a Sorcerer
with
something up his sleeve
and
dark bald mountain magic
and
disney coloured leaves
yet
the writing hand moves round
to
Peter Pan and friends
a
small boy's creek and ten league boots
and
siren painful ends
then
home to the womb with thorns inside
to
the love that leaves a stain
still
and yet the only love
that’s
worth the friggin' pain
T.R.E.
(1976)
<<<
>>>
VIRGIN
PURITY
There
was a virgin purity at large
a
distant stretch of infinite
ever-diminishing
sea on sand where
the
rollers constantly rise and dump
on
this endless beach of God’s lonely dreaming
It
was the time of The Beginning
Somewhere
out there
in
the depths of the Maker’s blue green mind
the
germ of an idea was forming
the
restless notion of a thing already loose
amongst
the rock and kelp
and
heading for the shallows
It
emerged as a nothing speck
in
the vastness of that perfect place
struggling
in the suck of sand and push of sea
its
awful wilfulness already at odds
with
the previous natural order
It
rose to a half uncertainty
then
with both feet spread in defiance
pulled
itself free from its mother the sea
For
a while it stood as if waiting
picking
the remnants of seaweed
from
its sun-warmed and drying skin
looking
to either side into the distant haze
and
not yet anything but a possibility
Written
in the sand
just
beyond the reach of the tide
in
characters of infinite gentleness
and
deliberation
was
a simple statement –
“Your name is Humankind. Make of it as you
will.”
Sinking
slowly to its knees
it
studied this for some time
digging
its feet softly into the sand
savouring
the sensations of each grain
passing
between its toes
Then
it added –
“WHY?”
And
it waited
Ages
it waited
aeons
of time
slipping
by between each lick of tongue
over
salt-seasoned lips
epochs
of time
circling
waiting
nothing
stirring
but
the timeless wash of the waves
and
an irritation from within
Eventually
it rose
and
with deliberate step
walked
ten thousand leagues along the beach
each
step studied for its impression on the sand
and
its fleeting existence
as
the sea wiped the beach clean behind
Then
it
turned
and
ten thousand leagues walked back
and
with each step it looked
from
the sea to the sun to the sand
and
at last it came to the inscription
and
added –
“Why not?”
T.R.E.
(1976)
<<<
>>>
NAILING
IT
What’s
it all about?
I'll
tell you what it’s all about
It’s
all about trying to make sense out of things
Things
like Gravity
Things
like Love and Getting Even
Warfare
Things
like Luck and Lust
Electromagnetism
Kryptonite
And
degrees of madness
And
setting the bar two pegs higher than you can jump
Things
like random acts of compassion and selfishness
and being able to tell the difference
And
what about Linda Rondstadt I ask you
legs and roller skates
and tracks that make you want to bash your head on the desk in sync
and hard
just to get involved with the whole fucking experience!
Now there's something to ponder on!!
and tracks that make you want to bash your head on the desk in sync
and hard
just to get involved with the whole fucking experience!
Now there's something to ponder on!!
And
it’s about trying to make sense out of God
And
labradors and lesser life forms
It’s
about trying to make sense out of the never-ending background hum
of the dynamo, the Big Engine, like that
And
I ask you this...
Do any of us get even close to nailing
it?
Hard to say
Probably not
(Gee-zuz,
I DO so love writing this shit,
Fridays after lunch,
but I must go a touch easier
on the pints of black stuff...
maybe)
T.R.E.
(1977)
<<<
>>>
FORTY
Forty
is a black knight in full armour
coming
at a gallop on a wild horse
lance
set to impale him through the spirit
as
inevitable as the last reckoning
Forty
is so much tick tick time disappearing
clocks
picking his pockets in the crowd
stealing
the hours he’d earmarked for himself
for
when he was older and more deserving
T.R.E.
(1977)
<<<
>>>
GREY
Monday
grey
Bleak
grey
Winter
dust grey
Grey
as three days of slow rain
Staring
grey
Empty
words grey
Business
suit grey
Grey as pencilled numbers
Cold
army stew grey
Prison
porridge grey
Wasted
lifetime grey
Grey as stale washwater
Gravestone
grey
Marley’s
ghost grey
Poverty
and charity grey
Lingering old age grey
Grey as ashes and dust to dust
T.R.E.
(1978)
<<<
>>>
NANA
no-one
is an island
entire
of itself
every
person is a piece of the Continent
a
part of the main
if
a clod be washed away by the sea
Europe
is the less
as
well as if a promontory were
as
well as if a manor of thy friends
or
of thine own were
anyone's
death diminishes me
because
I am involved in Mankind
and therefore
never send to know
for
whom the bell tolls
it
tolls for thee
John
Donne
< >
this
is what went through my mind
more
as an intense emotion
than
thoughts or words
when
we buried Nana Burgess
I
was glad she was with Harry
and
the indignity over
and
yet, now looking at it from a further distance
she
put up such a fight against a body
letting
her down a piece at a time
rage
rage rage
at
the dying of the light
is
it truly the struggle
and
how well we struggle
that
is intently more important
than
the Goal?
T.R.E.
(1979)
<<<
>>>